{"id":1094,"date":"2024-08-01T14:29:50","date_gmt":"2024-08-01T12:29:50","guid":{"rendered":"https:\/\/llcr.fr\/?page_id=1094"},"modified":"2026-01-21T11:31:22","modified_gmt":"2026-01-21T10:31:22","slug":"bois","status":"publish","type":"page","link":"https:\/\/llcr.fr\/index.php\/realisations\/bois\/","title":{"rendered":"BOIS"},"content":{"rendered":"\n

EXEMPLES D’INTERVENTIONS SUR BOIS<\/h2>\n\n\n\n
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[ ROUAULT, LE GESTE DE L’ARBRE<\/em> ]<\/p>\n\n\n\n

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[ DOL-DE-BRETAGNE (35), LYC\u00c9E ALPHONSE PEL\u00c9<\/strong> ]<\/p>\n\n\n\n

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bois et bronze, XXe<\/sup> si\u00e8cle<\/p>\n\n\n\n

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  • \u00c9tude mat\u00e9rielle et technique ;<\/li>\n\n\n\n
  • Diagnostic et pronostic des alt\u00e9rations ;<\/li>\n\n\n\n
  • Pr\u00e9conisations de conservation-restauration, de pr\u00e9sentation, de manipulation et de transport. <\/li>\n<\/ul>\n\n\n\n
    <\/div>\n\n\n\n
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    [ CHANTIER D’\u00c9TUDE PR\u00c9ALABLE ]<\/p>\n\n\n\n

    <\/div>\n\n\n\n

    2025
    Mandataire :<\/span>
    Julia JOUET<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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    [ FUMIO OTANI, SANS TITRE<\/em> ]<\/p>\n\n\n\n

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    [ CARHAIX-PLOUGUER (29), LYC\u00c9E PAUL S\u00c9RUSIER<\/strong> ]<\/p>\n\n\n\n

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    bois, XXe<\/sup> si\u00e8cle<\/p>\n\n\n\n

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    <\/div>\n\n\n\n
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    • \u00c9tude mat\u00e9rielle et technique ;<\/li>\n\n\n\n
    • Diagnostic et pronostic des alt\u00e9rations\u00a0;<\/li>\n\n\n\n
    • Relev\u00e9s graphiques des alt\u00e9rations ;<\/li>\n\n\n\n
    • Pr\u00e9conisations de s\u00e9curisation et pr\u00e9sentation. <\/li>\n<\/ul>\n\n\n\n
      <\/div>\n\n\n\n
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      [ CHANTIER D’\u00c9TUDE PR\u00c9ALABLE ]<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      2025
      Mandataire :<\/span>
      Julia JOUET<\/p>\n<\/div>\n\n\n\n

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      \"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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      \"\"<\/figure>\n\n\n\n
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      \"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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      [ SIL\u00c8NE (BO\u00ceTE D’APOTHICAIRE) MUMMIA<\/em> ]<\/p>\n\n\n\n

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      [ BAUG\u00c9 (49), H\u00d4TEL-DIEU<\/strong> ]<\/p>\n\n\n\n

      <\/div>\n\n\n\n

      bois polychrom\u00e9, XVII-XVIIIe<\/sup> si\u00e8cle<\/p>\n\n\n\n

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      <\/div>\n\n\n\n
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      • D\u00e9poussi\u00e9rage ;<\/li>\n\n\n\n
      • Refixage de la polychromie ;<\/li>\n\n\n\n
      • Nettoyage ;<\/li>\n\n\n\n
      • Retouches color\u00e9es ;<\/li>\n\n\n\n
      • Retrait et conditionnement des \u00e9l\u00e9ments.<\/li>\n<\/ul>\n\n\n\n
        <\/div>\n\n\n\n
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        <\/div>\n\n\n\n

        [ CHANTIER DE CONSERVATION-RESTAURATION ]<\/p>\n\n\n\n

        <\/div>\n\n\n\n

        2025
        Mandataire :<\/span>
        Lise Lef\u00e8vre<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

        <\/div>\n\n\n\n
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        <\/div>\n\n\n\n
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        [ JULES DESBOIS, LES N\u00c9NUPHARS<\/em> ]<\/p>\n\n\n\n

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        [ PAR\u00c7AY-LES-PINS (49),<\/strong>
        MUS\u00c9E JULES DESBOIS<\/strong> ]<\/p>\n\n\n\n

        <\/div>\n\n\n\n

        terre cuite (bas-relief), bois polychrom\u00e9 & dor\u00e9 (encadrement),
        fin XIXe<\/sup> – d\u00e9but XXe<\/sup> si\u00e8cle<\/p>\n\n\n\n

        <\/div>\n\n\n\n
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        <\/div>\n\n\n\n
          \n
        • D\u00e9poussi\u00e9rage ;<\/li>\n\n\n\n
        • Nettoyage ;<\/li>\n\n\n\n
        • Traitement des \u00e9l\u00e9ments m\u00e9talliques oxyd\u00e9s ;<\/li>\n\n\n\n
        • Collages des fragments d\u00e9solidaris\u00e9s ;<\/li>\n\n\n\n
        • Comblements et retouches color\u00e9es.<\/li>\n<\/ul>\n\n\n\n
          <\/div>\n\n\n\n
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          <\/div>\n\n\n\n

          [ CHANTIER DE CONSERVATION-RESTAURATION ]<\/p>\n\n\n\n

          <\/div>\n\n\n\n

          2024
          Mandataire :<\/span>
          Lise Lef\u00e8vre<\/p>\n<\/div>\n<\/div>\n\n\n\n

          <\/div>\n\n\n\n
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          \"\"<\/figure>\n\n\n\n
          \"\"<\/figure>\n<\/div>\n\n\n\n
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          \"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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          \"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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          [ CHRIST EN CROIX ]<\/p>\n\n\n\n

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          [ FOUG\u00c8RES (35), \u00c9GLISE SAINT-L\u00c9ONARD<\/strong> ]<\/p>\n\n\n\n

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          bois polychrom\u00e9<\/p>\n\n\n\n

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            \n
          • \u00c9tablissement des fonds photographiques ;<\/li>\n\n\n\n
          • Prises de mesure ;<\/li>\n\n\n\n
          • Relev\u00e9s num\u00e9riques des alt\u00e9rations ;<\/li>\n\n\n\n
          • Bilan sanitaire ;<\/li>\n\n\n\n
          • Diagnostic.<\/li>\n<\/ul>\n\n\n\n
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            [ CHANTIER D’\u00c9TUDE PR\u00c9ALABLE ]<\/p>\n\n\n\n

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            2024
            Mandataire :<\/span>
            Marie Gouret (ACR Polychromie)<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n

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            [ ENSEMBLE DE SCULPTURES ]<\/p>\n\n\n\n

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            [ TELGRUC-SUR-MER (29),<\/strong>
            \u00c9GLISE SAINT-MAGLOIRE<\/strong> ]<\/p>\n\n\n\n

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            bois polychrom\u00e9 & dor\u00e9<\/p>\n\n\n\n

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            <\/div>\n\n\n\n
              \n
            • D\u00e9poussi\u00e9rage ;<\/li>\n\n\n\n
            • Refixage de la polychromie ;<\/li>\n\n\n\n
            • Nettoyage ;<\/li>\n\n\n\n
            • Traitement des \u00e9l\u00e9ments m\u00e9talliques oxyd\u00e9s ;<\/li>\n\n\n\n
            • Consolidation des \u00e9l\u00e9ments mobiles ;<\/li>\n\n\n\n
            • Collage des fragments d\u00e9solidaris\u00e9s ;<\/li>\n\n\n\n
            • R\u00e9alisation d’une semelle de stabilisation ;<\/li>\n\n\n\n
            • Comblements et retouches color\u00e9es.<\/li>\n<\/ul>\n\n\n\n
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              <\/div>\n\n\n\n

              [ CHANTIER DE CONSERVATION-RESTAURATION ]<\/p>\n\n\n\n

              <\/div>\n\n\n\n

              2024
              Mandataire :<\/span>
              Marie Gouret (ACR Polychromie)<\/p>\n<\/div>\n\n\n\n

              <\/div>\n<\/div>\n\n\n\n
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              \"\"<\/figure>\n\n\n\n
              \"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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              \"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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              \"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
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              [ ENSEMBLE D’UNE TRENTAINE DE SCULPTURES ]<\/p>\n\n\n\n

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              [ STRASBOURG (67), MUS\u00c9E DE L’\u0152UVRE NOTRE-DAME<\/strong> ]<\/p>\n\n\n\n

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              bois polychrom\u00e9 & dor\u00e9<\/p>\n\n\n\n

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              <\/div>\n\n\n\n
                \n
              • Bilan sanitaire ;<\/li>\n\n\n\n
              • Consolidation et refixage des polychromies ;<\/li>\n\n\n\n
              • Pose de facings ;<\/li>\n\n\n\n
              • D\u00e9poussi\u00e9rage ;<\/li>\n\n\n\n
              • R\u00e9alisation de fiches d’identification et de pr\u00e9conisation de manipulation.<\/li>\n<\/ul>\n\n\n\n
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                [ CHANTIER DE STABILISATION ]<\/p>\n\n\n\n

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                2023
                Mandataire :<\/span>
                Lise Lef\u00e8vre<\/p>\n\n\n\n

                <\/div>\n\n\n\n
                \n
                \"\"<\/figure>\n\n\n\n
                \"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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                [ ENSEMBLE DE SCULPTURES, RETABLES & MOBILIER ]<\/p>\n\n\n\n

                <\/div>\n\n\n\n

                [ LAMAN\u00c8RE (66),<\/strong>
                \u00c9GLISE SAINT-SAUVEUR<\/strong> ]<\/p>\n\n\n\n

                <\/div>\n\n\n\n

                bois polychrom\u00e9 & dor\u00e9<\/p>\n\n\n\n

                <\/div>\n\n\n\n
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                <\/div>\n\n\n\n
                  \n
                • D\u00e9poussi\u00e9rage ;<\/li>\n\n\n\n
                • Traitement anti-xylophages ;<\/li>\n\n\n\n
                • Refixage de la polychromie ;<\/li>\n\n\n\n
                • Traitement des \u00e9l\u00e9ments m\u00e9talliques oxyd\u00e9s ;<\/li>\n\n\n\n
                • Consolidation des \u00e9l\u00e9ments mobiles ;<\/li>\n\n\n\n
                • Collage des fragments d\u00e9solidaris\u00e9s ;<\/li>\n\n\n\n
                • R\u00e9alisation d’une semelle de stabilisation ;<\/li>\n\n\n\n
                • Comblements et retouches color\u00e9es.<\/li>\n<\/ul>\n\n\n\n
                  <\/div>\n\n\n\n
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                  <\/div>\n\n\n\n

                  [ CHANTIER DE CONSERVATION-RESTAURATION ]<\/p>\n\n\n\n

                  <\/div>\n\n\n\n

                  2023
                  Mandataire :<\/span>
                  Julie Maure<\/p>\n<\/div>\n\n\n\n

                  <\/div>\n\n\n\n
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                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n<\/div>\n<\/div>\n\n\n\n
                  <\/div>\n\n\n\n
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                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n<\/div>\n\n\n\n
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                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n<\/div>\n\n\n\n
                  \"\"<\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n
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                  \"\"<\/figure>\n\n\n\n
                  \"\"<\/figure>\n<\/div>\n\n\n\n

                  En cours de remontage sur la structure sur-mesure<\/p>\n<\/div>\n\n\n\n

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                  [ LAMBRIS ARMOIRI\u00c9S ]<\/p>\n\n\n\n

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                  [ LA M\u00c9NITR\u00c9 (49), CHAPELLE DU MANOIR<\/strong> ]<\/p>\n\n\n\n

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                  bois polychrom\u00e9, XVe<\/sup> si\u00e8cle<\/p>\n\n\n\n

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